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Sinopsis :In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
Cast: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Elizabeth Rodriguez, Richard E. Grant, Eriq La Salle, Elise Neal, Quincy Fouse, Al Coronel, Frank Gallegos, Anthony Escobar, Reynaldo Gallegos, Krzysztof Soszynski, Stephen Dunlevy, Daniel Bernhardt, Ryan Sturz, Brandon Melendy, Luke Hawx, Paul Andrew O'Connor, Rocky Abou-Sakher, Jean Claude Leuyer, Jef Groff, Jeremy Fitzgerald, Chris Palermo, Clinton Roberts, Keith Jardine, Andrew Arrabito, Sebastian James, Aaron Matthews, Garrett Hammond, Matt McClain, Maureen Brennan, Jayson Genao, Hannah Westerfield, Bryant Tardy, Ashlyn Casalegno, Alison Fernandez, Parker Lovein, Jimmy Gonzales, Dave Davis, Lennie Loftin, Mark Ashworth, James Handy, Bryce Romero, Phi Vu, Chester Rushing, David Simpson, Lauren Gros, John Raymond, Vanessa Cloke, Doris Morgado, Katie Anne Mitchell, Lara Grice, James Moses Black, Ned Yousef, Baxter Humby, Daniel Hernández, Michael Lehr, Bryan Sloyer, John Bernecker, Joe Williams, Robert Wu, Victor Winters-Junco, Craig Henningsen, Evan Dane Taylor, Toby Holguin, Panuvat Anthony Nanakornpanom, Eyad Elbitar, Han Soto, Rissa Rose Kilar, Salef Celiz, Aidan Kennedy, Chase Cubia, Vincenzo Lucatorto, Haley Glass, Nayah Murphy, Emma Teo, Noell Jellison, Ella Rowbotham, Hudson Wright, Sebeon Jackson, Kelton DuMont, Damon Carney, Cynthia Woods, Mali O'Connor, David Kallaway, Robert Vargas, David Paris, Ted Ferguson, Juan Gaspard, Christopher Heskey, Julia Holt, Natosha Humphrey, Lizeth Hutchings, Donald M. Krause, Justin Lebrun, Gentry Lee, Gonzalo Robles, Daymond C. Roman, Mary Peyton Stewart, Michael Love Toliver, Gregory Paul Valdez
Genre: Action, Drama, Science Fiction
Production: Twentieth Century Fox Film Corporation, Donners' Company, Marvel Entertainment, TSG Entertainment
Keyword: #cyborg #experiment #self-destruction #mutant #future #dystopia #immortality #marvel comic #sequel #superhero #based on comic book #scientific experiment #super powers #neo-western #troubled past #life on the margin
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Last time I was this affected after seeing a big-studio movie was when I saw Interstellar. I admit, there is some bias here, Wolverine has been part of my childhood and will always have a special place in my heart. I remember playing outside, holding three sticks between my fingers pretending to be the mutant, 'fighting' my friends who were cyclops, Sabretooth and Magneto. Watching this movie made me feel a strong blend of emotions, there was the cheering kid in me seeing Wolverine protecting the weak and back in action, the teenager enjoying all the violence and blood taken to the next level thanks to the R rating, and the adult in me appreciating the emotions, relationships and character development.
This being said it is worth mentioning this is nothing like any other X-men movies. Logan is so much more mature, honest and raw. This is the conclusion Wolverine deserves. The character never truly fitted the family/mass-market/day-at-the-mall type of superhero movie. I was always bothered with how the previous x-men movies treated the character as, "Ok, he's a badass, but forget about seeing any cuts after he takes his claws out". Logan is finally the proper portrayal of Wolverine. It is almost like the R-rating finally gave the directors, producers and screenwriters the freedom to give us a more believable, almost tangible version of Wolverine. After seeing Logan it feels like you had seen all the previous X-men movies through rose-tinted glasses and you had suddenly taken them off. And that's a good thing. We have to thank our buddy Deadpool for setting a precedent and allowing this to happen.
As for the acting, the cast did a superb job. Hugh Jackman really pulled off one of his strongest performances. Disagree with me as much as you like, but I'd say it's Oscar-worthy. You think he did well in The Fountain? You haven't seen nothing yet. Patrick Steward perfectly re-visited his character, but again this time this was a darker, less perfect and more human version.
A few words about the plot: The movie perfectly presents a old, worn and sick Wolverine taking care of his even older and sicker 'father' Charles. Anyone who has ever experienced taking care of someone approaching to his last days can easily relate to the tension here. The first half of the movie very well explored these themes, of son taking care of both his dying dad and troublesome daughter. You can almost feel how tired Logan must be. Not physically, but psychologically. So much responsibility on his shoulders and none of it, something he sought. You get to see the most human and natural reaction to this: anger. Anger that he has so much to deal with. The weight is almost unbearable. Logan considers suicide. Could this be the short-cut to the peace he always sought? But of course, this is wolverine and he would never abandon his duties. So he stands up and fights. It is this character development and portrayal of emotions what really makes the movie feel so much more relatable and realistic than a typical emotionless superhero action movie.
Enough about the drama aspects and a bit about the action: This is not an action movie. If you want to see Wolverine on a speeding train fighting assassins, go watch The Wolverine. This is much more about Logan, the man and his problems, than about Wolverine, the action hero and his stunts. This being said, the movie still has it's fair share of action and it is impressive, even if it includes a much weaker version of Wolverine. That is, until the end, when the mutant gets juiced up and we get to see what he's capable of. This time add the blood and gore and you'll end up with one of the best Wolverine action scenes ever.
The ending:
I appreciate the conclusive ending of the movie. That's it. Hugh knows it, we know it. There is no stupid arm punching through the grave with claws pointing up the sky in the after-scenes. As I said, this is not that kind of movie.
I'll lie if I didn't feel sad. It was finally that a movie got the character right and 2 hours later it was all over. I also really enjoyed the somewhat smaller scale of the character's last battle. This was not a fight amongst falling skyscrapers that would decide the faith of mankind and the universe and the omniverse. No. That's for the Avengers. Perhaps for the X-men and Wolverine, but not for Logan. This was a battle for the lives of a few kids with mutant strenghts. Nothing big, just a few lives at stake, nothing barely comparable to what was at stake in Days of Future Past.
Yet this was his largest battle. By fighting in the battle Logan fought for something that meant to him more than more than the world: His daughter and the one thing he never truly felt until his last breath - family and love. And that's worth dying for.
Beautiful. Shakespearean. A battle for love not for saving the world. A battle that Logan had to fight, not the Wolverine. A battle won.
"So that's what it feels like."
Uncanny! 20th Century Fox, Marvel, and TSG Entertainment's Logan is a compelling, grizzly, organic superhero movie that is the last to feature Hugh Jackman as Logan (Wolverine) and Patrick Stewart as Professor Charles Xavier. Prepare to have your mind blown as the action unfolds in such a way that your heart will be pounding, racing, and pumping adrenaline through your body and then tug at your heartstrings as emotions run high. Logan is quite possibly the most comprehensive and diegetically dynamic superhero movie ever, and perhaps best X-Men film in the long, successful franchise. With a penchant for thrilling, action, and even horror films, director James Mangold pulls out all the stops in the last chapter in the story of The Wolverine. While there have been several films about Logan/Wolvervine outside of the main X-Men films, this cinematic adventure will have you on the edge of your seat with anxiety and holding back tears simultaneously. Some of the responsibilities of the final chapter of a character or an actor portraying a long-standing character are striking a delicate balance between nostalgia, closure, but still providing audiences with a new story; overwhelmingly, this film delivers the absolute best as we bid farewell to Hugh Jackman and Patrick Stewart from the X-Men universe and exceeds any and all expectations.
What do James Mangold's 3:10 to Yuma and Logan have in common? They are both grisly western films. Evidence of this is not only seen in the character development, pacing, and overall tone of the film, but can also be seen within the film itself as Professor X and Laura (Dafne Keen), the young girl traveling with Logan and Xavier, watch a western film on TV–a film that Xavier references several times as he reminisces about films from his childhood. While many think that the American Western film died out with Hollywood Golden age, it has certainly not retreated from cinemas. In fact, many of Quinten Tarrantino's films are westerns, the original Star Wars: A New Hope was a post-modern western, and Mangold's Logan is yet another example of a reimagination of the American Western film. Reading the film as a western enhances the visceral experience of the film. Although directors seldom pit cowboys against indians anymore, there are subtle references to that relational dynamic from early western movies within this film. Much like the Lone Ranger and many of John Wayne's characters, Logan is also a solemn solitary character being pulled into a world built upon the idea of relationships but his baggage makes it incredibly difficult. Emotions run high in Logan; and it's these emotions that provide audiences with a comprehensive experience that fulfills the desire for gritty action plus moments that may stir you to tears.
Although we are just coming out of this year's award season, it's entirely possible that Logan may be the first superhero motion picture to be nominated and even win Best Picture at next year's Oscars. All the elements that make up a Best Picture nominee can be found in Logan. It has drama, romance, a little humor, feels organic, deals with prejudice (by extension), and is based on a book– a comic book that is. The R rating is also important because it (1) serves as further evidence in the direction Fox is going to proceed with films like Deadpool and X-Force–gearing toward an adult audience (2) it allowed for audiences to see the Wolverine at full bloody force, which has been a desire for quite sometime and (3) the degree to which the film can deal with real adult problems physiologically and emotionally. The financial success of Logan will depend on adult audiences speaking the word about the outstanding nature of the film and even bringing more mature younger superhero fans to see the movie. Since most of the film contains disturbing imagery in regards to both the bloody violence and with Professor X's debilitating cognitive disorder (most likely a severe form of dementia), I would not recommend bringing those under 13 to the film until you have screened it for yourself. It's an incredible, film; but, there is content that may not sit well with those that are quite young.
Before Logan begins, fans of Deadpool will be excited to know that there is a short film (glorified promo, really) for Deadpool that does a successful job at promoting the highly anticipated sequel to last year's blockbuster. Its placement is also important to Logan in that it provides some levity before the rather somber tone of the feature film that follows Ryan Reynolds' offensively endearing witty charm as Deadpool. Logan is proof that superhero films can take the more serious route without sacrificing the art of the story. Both Jackman's and Stewart's acting is on point, and probably some of the best of their respective careers. Stewart, more specifically, delivers a command performance as Professor X and demonstrates that an accomplished actor who was primarily first known as Captain Picard can excel in both the horror (Green Room) and superhero genre films, all the while continually adding the touch of class that comes with his formal Shakespearean training as a performing artist.
This is NOT repeat NOT a kids superhero movie. Unless you have screen the film first, I would not recommend bringing anyone under the age of 13 with you to the cinema for Logan. There may not be "adult" content in the conventional sense; but, there are themes, subtext, and some violent content that may not be suitable for a younger audience who typically flock to superhero genre movies. Over all, Logan is an outstanding film, not just of the superhero variety, but also in general. From the writing to the directing and technical elements, this movie is a fantastic example of a superhero film that attempts to be and successes at breaking the mold and cementing itself as serious cinema.
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